by まめふく

by 瞬く

Gigot (1962) dir. Gene Kelly 

humansofnewyork:

This photo was taken around midnight on a Brooklyn-bound C Train. The son was sprawled out on his father’s lap, sleeping. The father was cradling the boy’s head in his hands. It was a pretty touching scene, and I wanted to photograph it, but I was very tired myself and I wasn’t sure how much I’d be able to capture from such a close distance. Then suddenly, the father lifted his son into a sitting position, and leaned in so they were touching faces.

I quickly pulled my camera from it’s case and snapped a shot. One of the most natural, beautiful moments I’ve ever been able to capture. 

(Source: another-death, via fuckinggermans)

Viktor Rezmann, 1965

(Source: firsttimeuser, via fuckinggermans)

lestercorp:

There Will Be Blood

(Source: llestercorp)

What Makes an Orchestra written & illustrated by Jan Balet, 1965

(Source: myvintagebookcollectioninblogform.blogspot.com)

by いいたか

fujio0311:

Wow, this is my art!

sipperpipper:

my weaknesses include children and old people

kill me now

(Source: sipsss)

Black Gold (2011) dir. Jean-Jacques Annaud

(Source: kingschultz)

anthonyholden:

I cut my son’s hair in the bathtub—it makes cleaning up the mess so much easier.

Mary Badham and Gregory Peck on the set of To Kill a Mockingbird (1962). The two kept in touch after filming, and she continued to call him Atticus until the day he died.

(via hertenderribs)